The perfect (cotton) tale for anyone who has taken a writing class
Bunny by Mona Awad was one of those books I started thinking it was about University. A book for anyone who has ever braved a writing class and in a sense relatable, funny. I didn’t realise it was about to go to such a weird and dark place. The book it most reminds me of is The Secret History. Fans of Donna Tartt’s tour de force will definitely enjoy the fantastical elements of this novel and I do still feel like it will be a great read for anyone who is fan of this book but this turns out to be something quite different. As the synopsis says…
“Samantha Heather Mackey couldn’t be more of an outsider in her small, highly selective MFA program at New England’s Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort–a clique of unbearably twee rich girls who call each other “Bunny,” and seem to move and speak as one.
But everything changes when Samantha receives an invitation to the Bunnies’ fabled “Smut Salon,” and finds herself inexplicably drawn to their front door–ditching her only friend, Ava, in the process…”
The small exclusive college is something I can relate to, having spend a wonderful year abroad at the beautiful Mount Holyoke. This sort of book suckers me in like my previous review of The Borrower, the New England connection always gets me interested! But really book doesn’t twist to interesting until after Samantha has attended her first Salon. She is scathing as she enters into their exclusive set. ” Their cheeks are plump and pink and shining like they’ve been eating too much sugar, but actually it’s Gossip Glow, the flushed look that comes from throwing another woman under the bus.”
It seems like a the book will turn into Mean Girls as she dumps her edgy friend Ava for the women who simper at each other, calling each other bunnies. In fact, Samantha’s perspective on all the women has this misogynistic tilt: categorising each into their type very rarely naming them . One woman so personifies a cupcake that she is consistently described as edible. But again the gothic girl, the preppy girl: these stereotypes seem as recognisable as the teen movies which apparently insists everyone only has one identity.
If you do find these tropes a bit frustrating, it’s worth sticking with the novel as it gets a lot more sci-fi in act two. As the group works towards their final projects for their MFA, they join forces to create the perfect work. The witchcraft or science fiction takes over at this point as they develop their stories (without giving away spoilers). Their experiments are horrific and we are so angry with this unlikeable group of women trying to craft their work that we are cheering for Samantha to return to her true friends.
But as we swoop into the final act, the shocks speed up as we try and figure the truth of Samantha’s role. We want to see her succeed, create her amazing work that is going to beat the entitled, unbearable women. Particularly as we see them gang up on her more and more. In the end they are her conscience who tries to bring her back to reality, The Duchess reminding her: “But it’s one thing to go to the edge. It’s another thing to fall off entirely, isn’t it?”
I’m going to say what I have seen a lot of reviews I read have said: I could not fully follow these final twists and turns. I had to re-read the final twenty pages of the denouement after I had raced to the finish. But unlike others who have either called this book “weird” or hated the sexism in the book, I’m going to say this is the book I have read this year that has made me think. I need to revisit it to fully understand it, to get into how Samantha’s warped perspective skews our understanding. Just like The Secret History, the central mysteries that drive the novel, mean you have to re-read this book.
To me this beautifully written novel is clever and cunning. It tries to teach us about writing while also subverting tropes we know so well. I read the book in February and I am still thinking about it which is a mark of how haunting it is. I would recommend this book if you have been to writing class not just because it’s a fun pastiche of attending an intense writing programme but because there are lessons to be learnt.
If nothing else it teaches us all the power of editing:, “I mean, you have to kill your Darlings, remember?”
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