Can you finish up the year even stronger than the start?
In The Artist’s Way Julia Cameron advises you to look for synchronicity. She believes, I think, that this is the Universe or a Creator is guiding us down a path of creativity. As I work through the last few weeks of the programme, I have become more attuned somehow to this sense of synchronicity. And it’s very pleasing when it happens.
I will be writing more about the final stages of my journey through her programme in the next few weeks but I did read when you finish up, she wants you to commit to 90 days more of writing Morning Pages and at least weekly Artist’s Dates. Well on the same day I read this, I spotted Rachel Hollis is promoting #last90days. A way to finish out the year even more motivated than you started it. It felt like I just had to give it a try.
The commitments she asks you to make seem to line up well with Cameron’s ideas but the main one I am going to focus on is to give myself that hour a day. I may not be able to use an hour every morning. I have shifted some of my to-do tasks as well Morning Pages to before school already. And I have written in my guide how challenging that can be. She is right that I could get up an hour early. This may well be one answer but as my son tends to be an early riser, I suspect it will be an hour divided.
There is something really invigorating about committing to a programme. Although I don’t like to cut out or restrict food, I think Hollis’ “Five to Thrive” are a reminder to take care of ourselves. I am going to using her prompts too as they send weekly emails and I think having a focus can be inspiring
The main reason though that I think it’s a good idea to amp up your motivation at this time of year is to get you through the slog of colder days and darker nights. Autumn may be my favourite season to write but Winter will follow quickly after and in setting ourselves up to end the year positively, I am preparing myself to feel the best that I can in the SAD season.
By writing about this commitment and sharing that I want to work on my writing an hour every day, I hope you will keep me accountable. Better yet, why not join me? I’d love to hear from anyone who is committing to a brilliant end to this year.
For many weeks I have been making steps to develop my creativity, but pursuing The Artist’s Way programme is also about planning ahead.
I want to keep week eight of Artist’s Way a secret. It’s all about finding strength and taking steps towards your ultimate goals. I don’t mind talking in general terms that my goal is to get creative work published but fantasizing about your dream life: that should be private
What Cameron is asking you to do is to look at those goals then break them down into five year, year, month and week plans. It’s a little intimidating and to be honest my resolution has been “finish the damn draft” for a long time.
What was interesting was reflecting on the other dreams that came up for me. This relates to the exercise she sets in week seven around jealousy. Cameron tells us “jealousy is a map” again, it’s horrible to admit that you feel professional jealousy towards others but it’s also a useful tool.
If you care so much about what someone else is doing, you may understand what would really make you happy.
In completing the tasks she set I identified my desire to work on a play, to write poetry. I think writing a novel is a very isolated experience. Both these other dreams require me putting myself out there more. It also identified for me that I really didn’t know what the next steps were to pursue these dreams. And she does want you to make practical steps.
I think I am very good at dreaming about the end result but visions of finding your book at the airport, don’t help you get to the finish line. In thinking about my goals it motivated me to work more. I have worked on a short story, written and promoted more blog posts and started to develop the early parts of my novel as I am switching my timeline around. And I have to admit it’s yielding results, my readership though small was more this month than all previous months and I feel a renewed vigour for my work that I haven’t for a while.
Hope is one thing, but I think as you are working towards your creative recovery, Cameron wants you to work forward, step-by-step.
This week The Artist’s Way programme asked me to dig deeper into spiritual practice by putting down my book and my phone.
Week four has asked a lot of me. Firstly, Julia Cameron prescribes a reading detox. Her more recent update here suggests this is actually a full on media deprivation. Well I failed. I have known for a while.my phone usage is off the chart. I justify some of the excessiveness because my phone is where I:
Read books on Kindle
Listen to books on Audible
Write and read posts on WordPress
Keep up with the #WritingCommunity on Twitter
Keep up-to-date on Goodreads
Without excusing myself completely this could all be counted as work right now. It also gives me a sense of community whilst also, of course, writing into the abyss.
My phone is also my crutch, a place where I do not just “work” as I tried to describe it above, but also where I play mindless games. Where I listen to funny podcasts. Where I watch cleaning videos of YouTube. These are less productive, but still part of my down time.
As a nod to the process I did delete some game apps so that I only do a daily Sudoku on there while my husband’s TV is on. But it is a concession to what she asks of us in this week. Alongside this process I have also got a GoodReads Challenge on the go and wanted to get back to that. At least being mindful of my phone time, gave me chance to read. But this isn’t what she means.
So I suppose I admit what I find hardest was adjusting not just to a new way of life, less dependent on my phone, but also the spiritual element that this chapter was talking about. For me, it is very difficult to believe in what she believes in. What I have done more of though is incorporate meditation into my mornings again. This quiet that she believes can help creativity, it’s something I crave too. Reading deprivation is at least a little further forward in my mind now. It’s a tool I will probably come back to but for now, I copped out of this week’s challenge, making smaller changes instead.
I would love to know if anyone else has tried a reading deprivation or phone detox? I can’t be the only one to find it hard.
Inspiration just strikes you, not out of nowhere because it’s everywhere.
Prompts are everywhere. I’m starting to feel more creative as I unblock myself, but I can’t control when a burst comes out. I started to write that a character has allergies. This is not too much of a stretch. Pollen is high and I am waking with eyes streaming. Also, this young woman has moved from her urban life to be out in the countryside, she may even encounter hay.
Instead of writing this into a scene as I set out to do. She has run off into the fields, which I suddenly feel like I am making a political point about Theresa May which isn’t really what I intended. When I sit to write, a short poem comes out. Poetry class was probably one of the hardest things I have ever tried to do. I was privileged to be coached by poet Mary Salter, who also happens to edit and compile every English student’s favourite the Norton Anthology. You would be hard pressed to get some one less knowledgeable.
As well as puzzling over my challenging grammar, apparently
you don’t usually just leave it out of poems unless you are masterful like ee
cummings. I am not. It was eye opening and I tried to work harder at learning
the rules. Breaking them intentionally now. My US classmates were so much
better because they are taught a very rigorous programme on grammar and
punctuation throughout school. Mind you, that may have made me worse. I hated
with a passion doing Hayden Richards at school (anyone else remember him?) despite
English always being my favourite subject. I think I have years of sentence
naming etc. ahead with my son’s schooling so I will probably get a few more
lessons. It can’t hurt.
What poetry class really thought me though is the immense power in word choice. Always read aloud, the meter but also the depth of each word chosen could send you off in endless editing circles. So, a page of poetry instead of prose this morning. It is very poorly constructed – no doubt the commas in the wrong place, but also peppered with a pleasing number of crossings out as I decide between sunken chest rib. The pleasure in writing poetry (and no doubt pain) is the luxury to mull over every word. As I edit the damn draft, I can stop and chose the crucial word, read out loud and choose what feels perfect for me. If I do ever get it into the hands of an editor, they can help me do it all over again, many times over.
I will be publishing my update on the Artist’s Way programme tomorrow, here‘s what has happened before. I think I can see already that I am being more creative and it has been powerful giving over to the inspiration.