Ways to Work With Pain

What if, even at our most difficult times, we could still make time to create?

I have been preoccupied with the bone-tired fatigue and various symptoms for months now but even as these lift, I can’t help think of the many times I have created when I am in some sort of less than perfect state. Creative living is less finding the perfect moment and more about working with what you have got. So what can you do if you are experiencing pain, physical or emotional?

Firstly, the Morning Pages method that Julia Cameron teaches us in The Artist’s Way has worked for me. Most days I get all those grievances down on the pages, this has been a massive part of my practice over the last few years. I recently watched a great video on resetting your goals half way through the year and Strussed’s advice was to always brain dump before you start on exercises. Journalling as an artist and particularly a writer can be a powerful place for ideas to pop-up.

Often old memories do surface as they would in any therapeutic practice. In week nine of The Artist’s Way, Julia Cameron asks us to do some archeology to uncover old dreams and even old hurts. As an exercise, I would be cautious to follow this without a therapist if there are any childhood traumas that could resurface. But I do find these exercises and other journal prompts can spark ideas or surprise you with memories. I listed some of my favourite journalling ideas last week.

In my pages I was revisiting a memory just recently and realised how strong my emotions were still towards a more adventurous child. I watched as she fearlessly swung on a tyre off a rope swing. She may or may not have leapt over some water, the memory is fuzzy but my envy was clear. How odd to have held onto this after so many years. This innocuous tale had remained in my mind and wound itself in to my adventurous protagonist probably without me realising.

Childhood memories sometimes resurface in your writing

I found this quote from the French Artist Annette Messager who explains how we must uncover our emotions…

“Being an artist means forever healing your own wounds and at the same time endlessly exposing them”            

Annette Messager

She has worked around greatly traumatic themes of assault and violence.  I hope it is clear from my example that I am sharing something lighter to illustrate the point but clearly all pains and emotional experiences can’t help but influence our work.

So what I would say in some ways we have no choice but to uncover some of our experiences in order to be creative. In fact, we may find they come out anyway. In order to express our true selves, maybe we also need to be mindful of doing so safely.

Even using journalling practices, which we might use as therapy, you may wish to seek help from a professional. Or if not, give ourselves space and time to recover. Build in whatever practices work for you so that you can be safe. I have shared how I have learned to meditate over the last decade. But I would also add that working through these emotions, if done safely, can help us heal. I am not trained in psychology and, please do seek support of a licensed professional if practicing exploration of pain causes you difficulties.

The final way I think I work through emotions that surface, perhaps despite of the pain, is to play games with any idea from different angles. If we have a memory that is feeding our work, how can we change perspective. How did that girl feel when I cautioned her from swinging out over the water? Her perspective may have to see me as annoying or she may well just have been living in the moment, oblivious to others. And this is the fun isn’t it of being creative? We can work through any image and explore it with fresh eyes.

Taking some time

Take the time that you need, that’s what I am learning more each day

As part of my bid to have more compassion for my anxious brain I have taken some time off from work, including blogging. Sometimes it is joyous to feel part of the #WritingCommunity and sometimes it feels like a constant reminder that I am not doing enough. I wrote just before we went in lockdown as a country that I was taking simple steps to make life a bit easier. But I have also been doing what I can just to survive.

As this pandemic takes hold in parts of the world with far worse conditions than I live in, after the horrendous explosion at the Lebanese docks, as the economic impact starts to wreak havoc on many lives, I find increasingly connecting to the outside world is overwhelming. Yes to keeping abreast of the news, being a member of the community, a charity-giver, but no to the constant barrage of The News.

In reality this has mainly meant stepping away from Twitter. I took a break to censor Wiley after his heinous anti-semitism a few weeks ago and am now using it very little. Helped along by the fact we have come to a remote spot to enjoy a week’s peace and relaxation. I have never felt luckier to be able to do this. We always staycation (hate that term) and love a countryside holiday from our usually busy, urban lives. Last year I wrote just how much a change of scene can give you new ideas. But I think it also helps with a new perspective on what you need in life.

With this in mind I have a new practice to add to my list of Artist Dates (that I have described in previous posts) which I would recommend to chill out more.

Stone-stacking on the pebbled beach while I am on holiday whilst my son played with his trucks (and knocked over my towers) was both playful and mindful. To take time, flattening the space around, searching for nearby rocks that are smooth enough to stack absorbs your mind completely. Then placing each stone took time and care. A lesson then on taking the time you need to create something beautiful.

What quiet thing do you do to take time out?

Stress and the city

The tang of metal is on my tongue, back in town from a few days away I notice the pollution more, is it a wonder with the assault on the senses that I get stressed out in the city.

Breathing. After a cold a few years ago, I developed asthma again though mild it’s worrying that the last time I had this problem was when I was at school and the playing fields were next to the M6 motorway. Breathing in all this pollution I worry for what it will do for my health long term, and I only live on the outskirts of London.

Getting sick. If I go into London, a few days later I will have a cold. You must get immune to if you are always going in. I have become religious about hand-sanitizer. I didn’t know that I am unusual in feeling a sensation on my hands if I haven’t cleaned them for a while. I get this cloyiness on my palms, and it won’t leave until a wash my hands. The fact that my skin breaks out or I have a virus within days of any trip on the tube seems proof enough that the City is not good for my mild anxiety-led germophobia. Squashed with too many people, holding on to the handrails like you’re supposed to on the escalator, these are all hard for me.

Photo by Miguel Á. Padriñán on Pexels.com

Sensory overwhelm. It took having a child with Sensory Processing Disorder to understand the world differently. His overwhelm at noises, his reaction of running from busy crowded places has opened my eyes. The world is often too noisy, too busy, too bright, too loud. And though my I can regulate my reaction to the barrage of too much information, I also hate it at times. I may not respond so much but it builds up inside me that tiny irritations build up so that often I reach a point where I need a sensory break too. My go to move is to put my headphones in and looking around, a lot of other people cope this way too.

Too loud. Except not everyone uses headphones. Music out loud on buses is a pet peeve. I have asked many a (usually young man) to put in headphones. I saw a man blasting his music from a player on his shoulder the other day. On reflection, he was probably promoting his own music but I stood nervously to see if he was getting on my bus. Would I have to confront him? Would the bus driver say anything? I want to be polite even if you show no-one else courtesy. But he stayed at the bus stop. The whole imaginary argument had been in my head but left me frazzled. Calming myself with the mantra, nothing happened, and “use this” irritation.

The Big Smoke. I hate the smell of smoke and particularly weed which permeates everywhere. I took precautions to hide it when I smoked in my twenties so no-one found me but now it’s ubiquitous. I will never know if then, in my reckless moments, I was in fact bothering a Mum with a young child who asked her “What’s that funny smell?” Just like my son has asked me.

Photo by Zachary DeBottis on Pexels.com

His palate is more sensitive and no doubt some of my anger at near neighbours for smoking is because I worry for him. I want to make life as easy for him as I can. But this like my other concerns seems like a characteristic of the urban experience, to me. It represents people doing what they want, where they want without considering others. An individualist way of living.

I have been writing a short story about a woman driven mad trying to catch fly-tippers. This pre-occupation with her surroundings, well let’s just say I can relate. But where my concerns really come from are this desire to make the world a better place for my son. To think about how we can be more considerate to other people and to our planet.

If you’re interested in what it can be like for a person on the Autistic Spectrum with associated sensory difficulties, I recommend this campaign called “Too Much Information” from the National Autistic Society.