REVIEW: Mexican Gothic by Silvia Moreno-Garcia

I loved this dark, postcolonial horror story.

After her family receives an odd letter, Noemi goes to rescue her cousin Catalina from whatever is disturbing her mind at High Place. From the book description…

Noemi’s chic gowns and perfect lipstick are more suited to cocktail parties than amateur sleuthing, but she immediately heads to High Place, a remote mansion in the Mexican countryside, determined to discover what is affecting her cousin.”

The gothic details of High Place caught me from the beginning. The old English family, the Doyles, use candles and oil lamps and only sparringly. The effect of the light and the details of the dusty mansion added to the creepy setting. As she describes the chapter three, the very house feels suffocating from the moment we see it in the lamp light that “… painted the velvet curtains green. In one or other of her stories Catalina had told her the Kublai Khan executed his enemies by smothering them with velvet pillows so there would be no blood. She thought this house, with all its fabrics and rugs and tassels, could smother a whole army.”

The setting informs us of the postcolonial tensions of this usurping English family, coming and infecting the land. Their wealth reliant on silver mines which have closed: the faded grandeur reminding me of Derek Walcott’s Ruins of a Great House. But it also serves the central mystery of the story as Noemi and Catalina both become more haunted by this house. It’s a clever setting that is both exactly what you might expect in a gothic tale but also highly unexpected as we get the final horror-filled reveal in the third act.

The descriptions in this novel are so brilliant. We, like Noemi, luxuriate in her clothes and feel the tensions between the family members whose stiff Victorian manners seem so out of step with this thoroughly modern Mexican woman.

I don’t enjoy books with sexual violence and the tensions between her and her cousins husband, Virgil, as well as his snake-like father Howard, are extremely uncomfortable. However I will say that the way these men try and exert their power serves the story so though it is uncomfortable, it becomes important. It is also part of Noemi finding her own agency as she fights back from the force taking over her mind and body.

Even more uncomfortable perhaps, though again really important to the story, is the racial profiling that Virgil and Howard use to talk about Noemi in particular. At dinner on her second night, Howard Doyle leers over her, just touching her hair as if to appraise her. His books too show her his fascination with what he calls “aesthetics” but what is really eugenics. The true-to-life white supremacist position the family seems to take, combines so well with the fantasy elements of the novel. We can both be horrified both by the colonial history and the dark twists of the novel.

I was so pleased to discover that Moreno-Garcia has written many other books: is there any other pleasure than finding a new author that you love! This book will be great for fans of Du Maurier’s Rebecca but also have a horror twist which reminded me of another book I reviewed, Wakenhyrst by Michelle Paver.

Do let me know if you have any other recommendations of great gothic reads!

REVIEW: Wakenhyrst by Michelle Paver

I have written of my love of gothic fiction before and Michelle Paver’s recent bestseller is a new favourite

Wakenhyrst is a gothic mansion hidden in the fenlands of Suffolk near where I recently spent a week away so I was very happy to make this one of my first autumn reads. Suffolk is an area full of myth, it’s the perfect spot for this tale of horror, both imagined and real. As the blurb describes, the house is surrounded by” a glinting wilderness of water whose whispering reeds guard ancient secrets. Maud is a lonely child growing up without a mother, ruled by her repressive father. When he finds a painted medieval devil in a graveyard, unhallowed forces are awakened.” The old manor house, this one being encroached on by the smell and damp of the fen, is full of great cast of characters whose lives are unravelled by the discovery of the painting.

I was a bit confused at first whether this novel was going to lurch back and forth between the 1960s journalist writing about Wakenhyrst and the fin-de-siecle setting but we find this is in fact just the framing for Maud’s story. She becomes our protagonist and we grow with her as she matures and manages to understand more about her father, Edmund Stearne, the villain of the piece.

Stearne is haunted by his discovery of a painting and also by his scholarship into Alice Pyett, a fictionalised version of Margery Kemp. In his pursuit to understand Alice’s visions, as well as her apparent madness, his own mental health seems to deteriorate. The gap between what both he and Maud believe is happening and their differing beliefs about both religion and folklore all make for a compelling mystery. You find yourself racing through to find out the truth. I can imagine I will need to read it again to capture all the detail.

I enjoyed the level of detail that went into many aspects of their lives: the artwork, local customs, the landscape and the food they eat. All of these make it feel like you are in knowledgeable hands and that the writer is enveloping you in this world she has found.

The characters in the novel, particularly through Maud’s eyes are often comical and I enjoyed meeting the repugnant doctor and lascivious Ivy. The psychological nature of this novel really appealled to me and though many of the characters are often villianous, it also feels they are grounded in truth.

I wasn’t completely sure why we needed to follow the story of Maud into later life. Many parts of the mystery unfolding were exciting enough and I expected the novel to end before it did. I did really enjoy the novel but it was the historical part of the fiction that was the best for me.

I would definitely recommend this novel for fans of gothic fiction and folklore.

If you like this, you will also like:

The strong and sassy female lead in The Mermaid and the Bear. Set amongst the witchcraft hysteria in 17th century Scotland, this is also full of fascinating details of the time and great historical fiction. My review is here

In The Night Wood by Dale Bailey the main character is an academic studying an old manuscript of fairy stories that comes to haunt him. This time the manor house is set in great woods, but just like the fen in Wakenhyrst, they it starts to encroach on the tumbledown manor.