Essentialism and real life

How I am working on my novel the Essentialism way

A few weeks ago I took Greg McKeown’s course on Simple Productivity: How to accomplish more with less on Skillshare all about Essentialism and Productivity. I was already aware of the book from the excellent and always funny “Go Help Yourself” podcast which I would really recommend if you can’t always be bothered to read the book but want the ideas! Your main goal of the course is to identify the thing in your life are you not making an “essential” For me that is working on my novel. Once you have identified this, then you will need to think what makes it so essential for you. I took time to review the book I have written and – though it’s a right mess – I still believe in the story I am trying to tell.

Greg McKeown Essentialism:The Disciplined Pursuit of Less

After this philosphising about your purpose, you have to get down to practicalities. As you know I am always looking for ways to be more productive as I recently shared my reading list. Then you have to create strong boundaries around this essential thing. And finally you have to “routinize” the work so it actually happens. All of this is easier said than done!

I chose writing as my thing I don’t do enough of, you may have guessed that aside from faithfully writing morning pages, there are days the pen doesn’t hit the page. That has to change but in addition to McKeown’s advice I needed to consider my pacing approach. I am lucky enough to have help from a Fatigue Coach, Pamela Rose and she very wisely suggests you build up slowly within your tolerance and live carefully once you have established a baseline of energy. Her approach actually makes sense for lots of us, not just people with a fatigue condition. What I am suggesting is you shouldn’t rush straight into saying I’ll write an hour a day or a 1500 words a day or whatever other rule you have read somewhere. You can build up to this if that works for your life.

Looking at my current capability I have made a plan to build up over the next few months. I am still struggling with screens as they are more tiring for me with my foggy brain so instead I have been writing by hand. For the last few weeks I have been attempting to write two days a week for thirty minutes then having a type up day each Sunday. This practical focus has been achievable and the idea is to keep building on the momentum of the regular writing. I am going to attempt to lengthen one session this week before I add another day in. This way I have stayed building on my progress but not gone too far.

I think with all good self-help books we have to take the best parts. The advice can start to diffuse into our lives so that we establish any changes within our own capabilities. I think it is important to make our creativity an essential, to recognise artistic expression is more than just a hobby. But also to make realistic demands on our self. As ever real life can get in the way.

Take back a little control

When life gets in the way, what steps can you take to have some control?

I recently embarked on a project to complete 50 days of healthy habits, run by Smilin Aislinn. I managed 50 days of consistent meditation, reading as well as eating and exercising the best that I can. I didn’t manage 100% of all my tasks each day, but I hit 75% of the tasks every day and embedded some useful habits into my life. Her method worked really well for me and I would definitely recommend it to others.

In a bid to take this level of discipline forward for another 50 days, I have set myself some new tasks which includes writing 3 times a week. The tasks I set in the first 50 days were achievable because I had already started to try and put them in my life. What I did by taking on the challenge was stay consistent to support my health (hello daily green smoothies) and making sure I did morning pages (hello waking up to write.) The reason it worked so well was I was not strict or judgmental with myself. I enjoyed ticking off the tasks each day in my journal and getting that little hit of achievement. It also gave me a little bit of control over things I can do to help myself.

In the background of these next 50 days we have started another battle (always a battle) to get the right support for my Special Needs son. So, as we prepare documents and attend meetings and generally try not to worry about the future, it’s even more important to feel in control.

For me there are three things that help me manage my life: timers, lists and focusing.

Short bursts of time writing is one way to get work done.

These ideas are not revolutionary but if you knew how hard it was for my busy brain to knuckle down to tasks in this way, you would understand why I have to rely on them to function well. In reality this means I set a timer to write or read – essential tasks which take a lot of energy. I need a list of what I am working on next. And, and this is the hard one, I need time without interruption. Often I use the Binaural playlists in my ear buds but I also turn on “focus mode” on my phone.

Taking back control over our focus is a real skill in the distracted world. I previously took the “Bored but Brilliant” challenge to help me get into a more creative space. I have been reading a number of productivity books and will publish my essential list soon but for now I will say that being less attached to a device and more in control of my time is currently one of my main goals for part two of this challenge.

What are your essential tools to get your work done?

Coping with Creative Blocks

Life can be full of difficulties that block creativity but we have to keep going forwards.

Today we are saying goodbye to a friend who lost her life too young. Like most people nearing forty a number of friends have been lost along the way, and some dear relatives. It always take you by surprise.

Sadly, so many people have lost their lives with the pandemic too and we are all more vulnerable than we like to think. I am grateful today we can say a proper goodbye, many were not able to with the restrictions and lockdowns that made it more difficult to honour those passed over the last few years.

When death hits closer to home, it turns us inwards and outwards at the same time. We say I’m going to do the things they could not do. This vivacious woman could not go everywhere so let me go there. It also helps us reflect on where we are stuck.

I do feel stuck in my art and in trying to do so much for my family. I feel stuck inside my house because I am not well (though thankfully much better than I was). And this inward reflection shows up in frustration and criticism of any work I have done. It shows up in how I wrangle through the bureaucracy of school, how everything feels like a fight.

My morning journalling practice has been so valuable, despite writing only a few scenes in my novel, I have filled a large notebook with all my thoughts and feelings in the last few months. So perhaps, a bit like this rambling post, my mind can only cope with the fragmented thoughts and processing my feelings.

I think when you are stuck, blocked by life, there are some amazing tools out there, like The Artist’s Way but there is also something that you have to use too: faith that it will come again. If life is too big for the creative work you have to trust that the way you are living your life will help you show up soon to your art.

In the meantime, I have been taking my Artist’s Dates in exploring nearby, as well as using my flowerpress I have been elderflower picking and made tea and cordial for the first time. I am being creative in the kitchen – partly to help make the food stretch further as prices rise. And I am gradually finding ways through to my son to help him in this tricky time. I have to believe that treating life with this curiosity will gradually let my creativity unfurl.

The last of the elderflower harvest

So, as I prepare myself to go to the service for my friend, I think about what I can promise her. In the future, if not now, I will try to live my life to the full. I will do what I can each day to step towards my dreams of writing for a living. I will do everything I can to cherish the bright spirit she was.

Difficult times are not easy but death so young makes us reflect sharply – if not now, then when?

Overcome Dialogue Dilemmas

Some of my characters have been really chatty recently and it can be a problem…

I am back at it with my longest novel to date and really writing dialogue in sections where the prose gets a bit heavy. There are rules to writing dialogue which I find a bit tricky. Like you want to give them colloquium language but you don’t want to keep spelling out “Alright” or “I don’t know what to say” even if they are the tics of these characters. You want dialogue that actually means something to the story which is why I think writing in close third person can be tricky as you often think when a person might say. Add in that your main character is introspective and introverted, your chances of getting them to speak out loud like a character in a novel.

Have ever noticed the characters you like the most start chatting to each other? When you get to that point in the writing where you have done character development and as I suggested before,  worked out their quirks, then the characters themselves start to take the steer. Part of me likes to think that this is because I am deeply acquainted with the people so I know what they would say or do. But really it’s because these people you have created have come alive and are demanding attention. (If you want to understand this perspective, I would recommend the book Bunny by Mona Awad that I reviewed here.) So once they are so alive to you, they do something else weird: they start talking to each other.

Recently I have written two arguments that happen as she befriends the enemy of the piece. One reason was that I had started to realise there wasn’t enough conflict in the novel; got to give these characters problems. Goodness knows life throws me enough lemons, and by rights you should be chucking lemons at their heads throughout the rising action. As she wrestles with the problems with her neighbours and friends, my main character seems quite meek. I could find quite easily how others speak to her bit it was more tricky to get her to speak out loud.

Here were some tricks I tried to get the arguments going:

1. Ignore the actions

To start the scenes with arguments I didn’t getting her to the place but started writing where she already is. The setting isn’t important because if you are picturing it, you known where they are. Once I had started one scene I knew she was on the bottom step, looking up awkwardly but the words have already told us she is been treated as a subordinate.

2. Say it out loud

Saying the words you’ve  written helps the dialogue feel more real. I also get Word to read out my work to me to help spot those double words or odd sounding phrases.

3. Act it out

I am a wannabe actor as well as writer and this is where those years of improv play out. Playing my characters as I sit before the computer is one of the reasons I crave alone time! I think understanding the rules of drama (start late, leave early, for example) helps us write dialogue. I haven’t written a play since A Level but some of those skills still help.

4. Record it while walking

My final tip is to say it out loud when you’re walking. I think walking is a great trick for getting your mind mulling over things. Especially if you dare to go distraction free. If ideas hit me when I walk, I like to record using voice memos. It’s a great to really have that argument. Although my final tip would be to find a quiet spot to say it out loud!

Have you any tips for writing good dialogue? I’d love to hear from others who struggle with this.

Make Progress, not Perfection

As I round up the month, I consider the need to keep moving forward

There is a special sort of acceptance that comes with being a slow writer. Whilst productivity hackers will tell me I do have time to write, I will always say do just a little. But as I round up this month’s work, I have to contend with the reality of feelings of failure that I haven’t got that far. As I wrote this time last month I am developing an idea around how the antagonist meets and becomes closer to my protagonist. I have written a further scene with this in mind. But mainly I took myself to a cafe to do some thinking (drank coffee.)

I don’t think anyone noticed I was trying to take a selfie of my thinking!

I do think there is a place for driving your ambition, so it is hard not to beat myself up when I have wasted that quiet time I had drinking coffee and not writing. But I also need lots of quiet time and breaks to manage my life with chronic illness and as a SEND parent. But then again I shouldn’t even provide these excuses. Brene Brown explains that our perfectionism is a way of avoiding judgement and shame. So when I feel this sense of shame for not working harder, I have to remind my inner perfectionist I am making progress.

So with that confession out the way, I will go forward with a better mindset that says make progress, not perfection. Some things I did achieve: I started to share my writing prompts on the MumWriteNow instagram and managed a thirty-minute sprint. The hashtag is writerightnow if you want to join this Saturday. I also started publishing a fortnightly newsletter for the charity I volunteer for. So this month has included some writing even if it is not the perfect progress I would have liked.

And I do believe that without realising perfectionism was holding me back, this, I would have never put pen to paper. Perfectionism tells you: you left it too late, you can’t write that, you’re not unique, no-one wants to read this. I have always felt inadequate in my writing skills but secretly I wanted to write. Over the last ten years I have worked on ideas and progressed to the point where I do not feel worried or ashamed to saying I am working on a work-in-progress. Including myself